This was the year I switched from my trusted Canon G16 compact camera (with wetlenses) to a mirrorless Olympus OM-D E-M5 II (with ‘actual’ lenses). Throwing money at things is not necessarily a guarantee for improvement, but it definitely helps! The shot above (from this post) was commended at the 2019 Falmouth Underwater Film Festival. This was made using the few times I went out with the mzuiko fisheye lens and is shot using natural light. (For some more natural light wide angle shots taken snorkelling on the north coast see this post.) I mostly used the mzuiko 60mm macrolens in combination with my strobe. The weather at the start of the year was so foul I initially used it abovewater during rockpooling. The shot below of a Flat periwinkle is quite simple but one of my favourites ‘topside’, together with the shot of the two Shore crabs: Below are some favourite underwater macro shots (the best pics I also post on instagram). Macrophotography I find easier, as the camera settings remain quite invariable (small aperture with a short shutterspeed because of the flash) and the composition is often (but definitely not always!) simpler compared to shots of say an entire rockpool. First some taken snorkeling in rockpools. The first is a Chink shell on Bushy rainbow wrack. The iridescent nature of the seaweeds means it is bright blue or purple viewed from one direction, but a dull brown from the other. If you get it right, it makes a very striking background and it is definitely a subject I want to explore more. After that, detail of the tip of a Spiny starfish, a European cowrie and a pill isopod. Below some macroshots taken while (shore)diving off Silver Steps in Falmouth. A Blackfaced blenny, a Leopardspotted goby and a Devonshire cupcoral. Many more photos of course if you scroll down. I have now also invested in a new strobe and new strobe arms. Having two strobes will allow me to take wide angle photos without depending on (dim) natural light, for instance whilst diving. My second strobe is manual so I can ramp up the strobe power if needed for macro too. I still struggle with positioning even a single strobe, so having two will be frustrating in the beginning I am sure. I am hopeful this new investment will pay off though. As for the blog, I have updated the links page. It is high time I post an update on the tank. I have not been diving much but hopefully next year I can collect some new species of anemones for it (and of course take photos, although the two activities are pretty much mutually exclusive). My new years resolution will be to get in the water more. I wish all blog readers a happy and healthy 2020!
These photos are from a couple of weeks back; since the weather has been hideous most of the time I have not been out much since. More practice with the m.zuiko 60mm macro lens abovewater. Above a small Strawberry anemone. Below a small Cushion star Asterina gibbosa and my finger tip for size. Below that the hydroid Candelabrum cocksii and an Idotoea isopod species (there are several common Idotoea species but I have not paid much attention to them yet I must admit). Finally, the adorable Worm pipefish Nerophis lumbriciformis which is common and usually found in small groups under rocks (I have never seen them underwater as they are small, slow, well-camouflaged and probably hidden most of the time). Definitely will try to get some more portraits of these lovely fish!
Santa Claus was very generous last year and I am now the proud owner of an Olympus OM-D E-M5 Mark II mirrorless camera! A big step up from my Canon Powershot G16 compact camera (which I still find a great little camera btw). Apart from a better sensor, greater dynamic range, more pixels etc, the main reason for going for a so-called micro four thirds camera was that I can use separate lenses. By that I mean lenses that actually go on the camera rather than wetlenses that are attached to the camera housing. The wetlens approach has the problem that air bubbles can form on three surfaces rather than one, and also, water seeps out from between the lens and housing every time you lift it out of the water (which I tend to do a lot in rockpools less than a meter deep). I first thought of going for an SLR, but these are much more expensive (the housings at least), require looking through a viewfinder which seems annoying to me and also they are considerably bigger, which is also not handy in rock pools. Luckily I learned that mirrorless cameras also existed! I bought an M.ZUIKO 60mm f/2.8 Macro Lens as well. I have not been in the water yet, as the weather has been grim, but took the camera out for some above-water rock pooling last weekend. The first day I did not take the separate flash, which demonstrates my ignorance (to maximize the depth of field, a small aperture is needed which lets in little light, resulting in long shutter times and high ISO). The photos were not great, but the next day with flash it went a lot better. Above a Broad-clawed porcelain crab Porcellana platycheles and a Long-clawed porcelain crab Pisidia longicornis. Next time I will bring a ruler to show exactly how tiny these crabs can be (these are juveniles).
Above a flat worm (check the eyespots!) and a Thick top shell Phorcus lineatus. A main problem is that all subjects are covered with a film of water, resulting in glistening highlights when using the flash. Another issue is the shallow depth of field. The next time I might try to do some photo bracketing/stacking, merging images of a different focal depth (I need a tripod for this). The great thing is that there is no shortage of subjects: turning over a single rock can reveal multiple species each of echinoderms, molluscs, crustaceans, bryozoans, worms, flat worms etc. Below a selection of chitons, I have not had time to check out which species; there are not that many here but they are tricky to identify from photographs. I will check Ian Smiths fantastic photo resources on flickr to do so.