It is the time of year where the rock pools look less attractive (for an example see this old post) and jellyfish appear in the sea beyond. As they are pretty and slow moving, they make for excellent subjects and so I have ventured out over the kelp recently to look for them. I now have a reliable INON D-200 strobe (actually I have two such strobes, it is just that the second arrived 6 weeks ago but not its fibre optic cable…) which makes a huge difference in the types of shots you can take. Photos taken using natural light only can be pretty (see for example here for previous attempts) but a strobe just opens a whole new range of possibilities. I was quite pleased with myself with the shot above of a Compass Jellyfish that seems to float in outer space. Here, the strobe lights up the jelly (which is really close in front of the camera) but it cannot light the ocean behind. Using a fast shutter speed, the ambient light (that would make the water blue) is not let into the camera, resulting in a black background. An exception is the bright sky, which is visible in Snell’s Window, and which looks a bit like a planet against the black background. Of course, even with using a strobe you can choose to let in ambient light, leading to more conventional shots such as the one below (however the jellyfish is a bit further away and not very nicely lit up by the strobe):
By pointing the camera downwards and getting rid of much of the sunlight, the fast shutter speed black background effect is even stronger, even on a sunny day. An example is the Moon Jellyfish below. Btw, I have touched these photos up with the generic Windows photoviewer (a poor man’s Adobe Lightroom) whch performs quite well. It is however tricky to get rid of some of the backscatter (particles in the water that light up because the strobe is incorrectly positioned, illuminating not just the subject but also the water in between subject and lens). This effect can be seen above the jelly in the second photo even after editing in Windows Photo:
It is great fun to practice photography with these jellies. In principle one strobe is enough (and many pro photographers recommend to try shooting with a single strobe). However, there are situations where two strobes are clearly better, namely when a subject needs to be lit up from two sides. The photo below was taken with the camera turned 90 degrees with the strobe to the left side (notice the remaining backscatter after using the clone stamp tools in Windows Photo). Having had another strobe to the right would have avoided the shadows (but probably have added backscatter!):
Some more shots below. The visibility has been poor lately but I hope to be able to practice some more over the weekend.