I have been out twice this week with the Canon G16 with the hope of snapping a few good photos (out of the hundreds I take). It was trickier than usual, in part because the viz was not great but also because I am making a bit less progress I feel. Investing in an expensive DSLR + housing will get me further but I do not know if it will be worth the money. However, I still have a lot to do when when it comes to mastering the principles of photography, especially getting to grips with manual settings. In this post I will highlight some of the ‘issues’ am facing; who knows I will be lucky and get some feedback via the blog (and instagram), sharing is caring! As usual, I focussed on the seaweed diversity, although at this time of year it is not the best looking. The photo above is nothing special (the seaweed looks a bit straggly) but I like the blue background. It is interesting the wide diversity of seaweed species on the Red rags in the photo below and I like the contrast of the green sea lettice versus the brown Bushy berry wreck in the second photo but both pics are a bit meh. A main difficulty is that many times the sand (orthe bleached coral weed) contrast with the subject of the photo resulting in excess highlights. I try to counteract this by reducing F-stops (resulting in an overall darker picture) and reduce highlights during post-processing. @chris_exploring recommended to choose overcast rather than sunny days which is probably the best approach (and I will have plenty of opportunities to test this the coming months!) The first pic below of a Two-spotted goby is OK but I could not get quite close enough. The second photo is of course out of focus but I included it anyway to show that some of these photos have great potential. It inspired my own photography rule (the ‘Vos Index’): the beauty of the subject (on a 1-10 scale) times the difficulty of a shot (on a 1-10 scale). We are all trying to score a 100: a perfect capture of a beautiful organism. I am stuck with mediocre captures of beautiful things. Sometimes I get a very good capture but then mostly it is of something not-so beautiful. I shoot JPEG + RAW, which is a bit of a pain as I do not want to clog my hard drive and reviewing and deleting JPEGs and then having to filter for names to delete the associated RAW files is annoying. I actually keep few RAW files because very few photos are worthy of any advanced Photoshop editing, and also the standard Windows photo editing software is not half bad. For example see the photo below of whitebait (impossible to tell if it is herring, sprat or pilchard). It is very low contrast and bluish; by reducing highlights, increasing ‘clarity’ and a bit of cropping the image is completely transformed (although still relatively unusable as the resolution is quite bad). Finally macro. I just cannot seem to get my strobe to work which is annoying so the pics below are all ambient light. I need to up my game with this as there are so many cool subjects around to shoot if you take time to look. Below some tiny (3-4 mm) snails Rissoa parva. I wanted to zoom in more but was unable to unfortunately. Next a much bigger (2 cm) Netted dog whelk Tritia reticulata (sigh, I knew this as Nassarius reticulatus, and Hinia reticulata but the name has changed again). Next, a baby (3 cm) Tompot blenny Parablennius gattorugine which are one of the easiest fish I know to photograph, not very shy! Finally another challenge to photograph, a mermaids purse (egg case) of a Nursehound Scyliorhinus stellaris shark with a tiny (2-3 cm) embryo visible. I had a little light with me that I used to illuminate it from the back but this could be improved upon as well!
As I mentioned in the last post, I joined instagram (@an_bollenessor). One one hand it is a great way of getting inspired, on the other hand it is a bit disheartening: why even bother trying to get half-decent shots with so many fantastic photos already produced? One interesting observation though is that there are some very commonly used themes (macro photos of nudibranchs, open water photos of big pelagics, close-ups of colourful sedentary species such as frogfish) but there are few people who try to take photos of seaweeds, so that seems a quite open niche at least. I have a lot of photos on my computer from the past few years of blogging and am uploading these on my account before the weather gets better and I can go out again. Some are Canon Powershot D30, some Canon G16 but mostly iPhone4S, including the ones in this post (and so all taken above-water). A few other things have inspired me photography-wise recently. I attended a talk by Mark Webster on his Cornish underwaterphotography at the Poly in Falmouth. I already had his excellent book ‘Beneath Cornish Seas‘, but it was very interesting to hear him talk about his approach. See here for some his excellent photos. (I also learned of a very large rockpool on Treyarnon beach that seems excellent for photography and I really need to check out.) Last Christmas, Santa gave me Alex Mustard’s ‘Underwater Photography Masterclass‘ book, which not only has beautiful photos but also is very well written. Already some time ago, I bought a copy of ‘In The Company Of Seahorses‘ by Steve Trewhella and Julie Hatcher (which has an associated facebook page). A beautiful hardcover ‘coffee table’ book with very knowledgeable accompanying text on seahorses in the UK as well as many of the animals they share their habitat with: highly recommended!
It has been a year and a half since I bought my Canon G16 and tried to be a bit more serious about my underwaterphotography: I should have done that a lot earlier! Two sessions with Thomas from HydroMotion Media to get up to speed with my camera greatly helped. I have switched from rock pooling to lying flat in rock pools with my snorkel. Sticking your head underwater unsurprisingly is the best way to take underwater photos. I am slowly coming to grips with the technical aspects of photography, moving away from automatic settings but have a lot of practice to do. I also (finally!) started to play around with RAW images in Photoshop. Compare the image above with the original here to see what a massive difference this can make. I have also bought a strobe and although I have been diving a bit more this last half year I have not used it a lot yet. Strobes are pretty much a must for any diving (rather than rockpool) underwaterphotography in the UK, so I am very happy I have one now. I tend to massively overexpose and instead of buying the one of the cheapest ones, in hindsight I should have gone for a manual rather than TTL strobe but there is lots of room for improvement positioning the strobes and decreasing shutter time etc. This colonial sea squirt Aplidium elegans from a boatdive with Atlantic Scuba at the Falmouth Cannon ball site came out pretty OK. I would really love to go back to the Manacles next year and try to get good photos of jewel anemones. Deeper water photos are great fun, but that is what everyone is doing and maybe my niche is that of the shallow rock pools with natural light. I have been concentrating mainly on seaweed photography (see these 2017 posts) using a wide angle wetlens (I might be using this lens a bit more than is appropiate). The first image below is perhaps my favourite, lots of colours and textures. I had one snorkel session in June where the visibility was truly exceptional (well, for Cornwall anyway), see the second photo below. You can have the best equipment and skills (I have neither), but with bad visibility it is nearly impossible to get good photos. I have done quite some coastal ‘drive-by’s to check whether I should be getting in the water. (these two photos have not been put through photoshop btw) I did post some of these photos on the UK Viz Reports facebook group to make people jealous…which worked! I also bought a nauticam CMC-1 macro lens which allowed me to take some half-decent pics of tiny stalked jellyfish. I only had a couple of dedicated macro snorkel sessions and have not used it whilst diving but I would really like to start photographing nudibranchs and other little critters next year. I was on a roll with the blog in the first half of the year but slowed down a bit after that, in part because I was too busy and in part due to changes in Google algorithms greatly decreasing traffic to the blog (I am not in it for the ‘hits’ but still, it was a bit disheartening). I’ll try to post more regularly again; at the very least it forces me to critically evaluate and process my photos and ID organisms (another New Year’s resolution is to register any noteworthy finds through SeaSearch; it is dumb I have not been doing that earlier). Instead of blogging, I have been fiddling with my phone and uploading photos on my an_bollenessor instagram account. It has been a very good way of reviewing the work of many underwaterphotographers (and I am the first to admit that it also is just very addictive). I tried Flickr first as it seems to be a lot more sensible (i.e more serious photographers and less attention seekers) but somehow it did not work for me as well as instagram. One of my favourite moments in the water was at the ‘cave of dreams‘ (more a small rocky overhang) in Newquay, where I saw the Scarlet and gold star coral Balanophyllia regia. It was fantastic to see hundreds of small, bright yellow corals (as well as some assorted sponges) scattered on the rock walls and reflected on the water surface. What I really would like to do is create an underwater panorama photo of this next year. Might not work (cramped, low-light conditions and I have not been able to find examples of panoramas taken at 1-2 feet distance) but worth a try! Fish I find the most difficult to photograph (they tend to swim off!) but I was lucky one afternoon when a Longspined sea scorpion stayed put long enough to get a good shot. Lastly, I have reposted my favourite underwater photo of this year, that of two Bull huss’ mermaids purses attached to Bushy rainbow wrack, taken in maybe two feet of water in March. I hope to post a lot more photos in 2018!